<sup>BOOKS
Ahmed, Sara. What’s the Use. Croydon: Duke University Press, 2019.
Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship, (London: Verso Books, 2012), 19.
Derrida, Jacques. Of Grammatology, trans. Gayatri Chakravorty Spivak. Baltimore: Johns Poplins University press, 2016.
Easterling, Keller. Extrastatecraft: The Power of Infrastructure Space (London, New York: Verso, 2016), 13.
Grant, Kim. All About Process: the theory and discourse of modern artistic labor. Pennsylvania: The Pennsylvania State University, 2017.
Minton, Anna. Ground Control: Fear and Happiness in the Twenty First Century City (London: Penguin, 2009), 66.
Puig De La Bellacasa, Maria. Matters of Care-Speculative Ethics in More Than Human Worlds, London: University of Minnesota Press, 2017
Russell, Legacy. Glitch Feminism, A Manifesto, (New York: Verso Books, 2020), 74.
Schwenger, Peter. The Tears of Things: Melancholy and Physical Objects. Minneapolis, London: University of Minnesota Press, 1942.

CHAPTERS
Fisher, Mark. “Capitalism and the Real”. In Capitalist Realism is there no alternative, 16-20. London: Zero Books, 2009.
Graw, Isabelle. “How Much of a Product Is a Person?”. In High Price: Art Between the Market and Celebrity Culture. 161-163. Berlin: Sternberg Press, 2010.
K. Bhabha, Homi. “Fanon and the postcolonial”. In The Location of Culture, 20-39. London: Routledge, 2004.

FILMS
Sally Potter, director. 1992, Orlando, Based on Orlando: A Biography by Virginia Woolf, 1928. British Screen Productions.

ONLINE SOURCES
Brian O’ Doherty, Inside the White Cube – The Ideology of the Gallery Space, San Francisco: The Lapis Press, 1986, 15. <https://arts.berkeley.edu/wpcontent/uploads/2016/01/arc-of-lifeODoherty_Brian_Inside_the_White_Cube_The_Ideology_of_the_Gallery_Space.pdf>
Clarke, Bruce. Margulis, Autopoiesis, Gaia, electronic Book Review (July.2019) <https://electronicbookreview.com/essay/margulis-autopoiesis-gaia/>
Daryl Cressman, A Brief Overview of Actor-Network Theory: Punctualization, Heterogeneous Engineering & Translation. Columbia, Canada: Simon Fraser University (2009) <https://dphu.org/uploads/attachements/books/books_2726_0.pdf>
O’Doherty, Simon, Inside the White Cube: The Ideology of the Gallery Space, Los Angeles: University of California Press (1999) < https://arts.berkeley.edu/wp-content/uploads/2016/01/arc-of-life-ODoherty_Brian_Inside_the_White_Cube_The_Ideology_of_the_Gallery_Space.pdf>
Frantz Fanon, Towards the African Revolution, New York: Grove Press, 1967.<https://monoskop.org/images/0/05/Fanon_Frantz_Toward_the_African_Revolution_1967.pdf>
Harmansah, Omur. “Modernity, modernisation and the body”. Joukowsky Institute for Archaeology & the Ancient World. September, (2006) < https://www.brown.edu/Departments/Joukowsky_Institute/courses/architecturebodyperformance/444.html >
Jessica Stockholder and Joe Scanlan, Art and Labor: Some Introductory Ideas, Art Journal, Vol. 64, No. 4, Winter, 2005, 50-51<https://www.jstor.org/stable/20068416?origin=crossref>
Maria Lind, Active Cultures-On the Curatorial, Artforum, October 2009, Vol. 48, No. 2 <https://www.artforum.com/print/200908/the-curatorial-23737> 
Robert D. Sack, The Power of Place and Space, Taylor & Francis, Ltd., Geographical Review, Jul. 1993, Vol. 83, No. 3, 326-329. < https://www.jstor.org/stable/215735>
Roland Barthes, The Death of Author, Image, Music, Text (London: Fontana,1977), 148. <https://sites.tufts.edu/english292b/files/2012/01/Barthes-The-Death-of-the-Author.pdf>
Shalini Kantayya, director. 2020. Coded Bias. Netflix. <https://www.netflix.com/title/81328723>
Tate Student Resource, Ritual Coursework Guide, Tate.<https://www.tate.org.uk/art/student-resource/exam-help/ritual></sup>