<sup>BOOKS
Ahmed, Sara. What’s the use? Durham and London: Duke University Press, 2019.
Bishop, Claire, Artificial Hells: Participatory Art and the Politics of Spectatorship, London: Verso Books, 2012.
Fred, Sigmund Fred, The Uncanny. London: Penguin Books, 2003.
Minton, Anna. Ground Control: Fear and Happiness in the Twenty First Century City. London: Penguin, 2009.
Russell, Legacy. Glitch Feminism, A Manifesto. New York: Verso Books, 2020.

CHAPTERS
Pollock, Griselda. “Screening The Seventies”. In Vision and Difference: Feminism, Femininity and Histories of Art. London: Routledge, 2003. 213-26

ONLINE SOURCES
Barthes, Roland, “Death of the Author”. In Image, music, text. London: Fontana,1977. 142-148. <https://sites.tufts.edu/english292b/files/2012/01/Barthes-The-Death-of-the-Author.pdf >
Daniel Quiles “Between Organism and Sky: Oscar Bony, 1965-1976”, Caiana, 2020. 1-14. <https://www.academia.edu/9850546/_Between_Organism_and_Sky_Oscar_Bony_1965_1976_Caiana_4_primer_semestre_2014_>
Foucault, Michel, “Panopticism”. In Discipline and Punish-The Birth of the Prison. trans. Alan Sheridan 1975. New York: Random House. <https://monoskop.org/images/4/43/Foucault_Michel_Discipline_and_Punish_The_Birth_of_the_Prison_1977_1995.pdf >
Mats Carlsson “The Gaze as constituent and annihilateor,” Journal of Aesthetics & Culture Vol. 4, 2012 <https://www.tandfonline.com/doi/pdf/10.3402/jac.v4i0.19481></sup>